Review of Another Tongue, by Yevgenia Nayberg

Another Tongue

by Yevgenia Nayberg

Neal Porter Books (Holiday House), 2026. 36 pages.
Review written September 23, 2026, from a library book.
Starred Review

This picture book explains simply to children what it’s like to move to a country where they speak a different language from the one you were born hearing.

Here’s how it begins:

This is your tongue. [Picture of a kid sticking out their tongue]

This is your mother’s tongue. [Picture of a woman holding a toothbrush and sticking out her tongue.]

The first language you learn is also called a mother tongue!

It is the first language you hear as a baby.

The book goes on to talk about how you learn all the words in your mother tongue.

Different countries have different mother tongues.

When you come to a new country, you may not understand the language at first.

Your ears may get tired of listening to the new language.

The new language may taste funny on your tongue.

There are amusing pictures with all of that, and collaged letters flying around the pages.

It goes on to talk about learning the new language, some words being easier than others, and often making mistakes.

But little by little,
the new words will
begin to make sense.

They will connect.
They will feel
like your own.

And from then on, you will be bilingual. Which means someone with two tongues!

What’s your mother tongue?

It’s all so simple, and by addressing the entire book to the reader, you feel the frustrations and triumphs of trying to get another language right. The pictures are imaginative, and the examples are silly (“Vampire State Building”), and it’s a delightful story about an abstract concept becoming understandable to kids.

Added later: I love the book all the more after looking up the author and discovering she’s Ukrainian.

nayberg.org
HolidayHouse.com

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Review of The Last Dragon on Mars, by Scott Reintgen

The Last Dragon on Mars

by Scott Reintgen
read by Landon Woodson

Simon & Schuster Audio, 2024. 9 hours, 10 minutes.
Review written October 13, 2026, from a library eaudiobook.
Starred Review

The Last Dragon on Mars is the first in a trilogy about spaceships powered by dragons, featuring a crew made up of thirteen-year-old humans.

As the book opens, we meet Lunar Jones, an orphan who lives on a relocation center in Mars and takes care of the other kids there by working as a scrapper – when a storm goes through, he goes out into the wastes to dig up scrap metal to sell.

That first mission doesn’t go well (though we get to experience all the drama of the attempt), and Lunar takes refuge in a military zone, because the likelihood of being killed there is still less than the certainty of being killed by the other scrappers who are stealing the prize he found.

But in the military zone, Lunar follows some tunnels and discovers a massive underground habitat – and a dragon nobody on Mars knew about.

When the military folks in charge of the hidden base try to kill him (because of course they do), the dragon stops them – he’s chosen Lunar as his dragoon.

But not everyone wants there to be another dragon. The dragon is young, and the kids who were selected and brought up to train with him are about Lunar’s age, all young teens. The man in charge who arranged all this (except the part about Lunar joining them) has reason to believe dragons on other planets may not be happy to hear about another dragon on Mars.

It’s not giving anything away to say that Lunar and his new friends end up flying on a dragonship with their lives at stake.

I won’t even try to explain the whole world-building with a dragon for each planet and each moon and star. But it’s all built smoothly, with no lull in the action – we learn details because lives are at stake. And it adds up to battles in space with spaceships powered by dragons. What could be better?

itspronouncedrankin.com

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Review of Why Did Jesus Have to Die? by Adam Hamilton

Why Did Jesus Have to Die?

The Meaning of the Crucifixion

by Adam Hamilton

Abingdon Press, 2025. 121 pages.
Review written April 28, 2026, from my own copy, ordered via Amazon.com.
Starred Review

I’ve read several books about the meaning of the crucifixion, and especially offering alternatives to the penal substitutionary theory of the atonement. Some stand-outs include Did God Kill Jesus?, by Tony Jones; A More Christlike God, by Bradley Jersak; Creation and the Cross, by Elizabeth Johnson; and Lamb of the Free, by Andrew Rillera. My personal favorite by far is still Lamb of the Free, but I have to admit that it’s written with super academic language, pretty much directed at scholars and other Bible nerds. Its point is understanding the entire sacrificial system in Scripture, and a side effect of that understanding is showing that the penal substitutionary theory simply doesn’t fit.

However, much as I love Lamb of the Free, it’s pretty clear that this new book by Adam Hamilton is much less intimidating for your average Christian to pick up to better understand Christ’s death. It would work much better for going through with a small group, and it’s even in six chapters – pretty much asking to be a study during the season of Lent.

He is also not at all combative about atonement theories. He’s not looking to get you to reject one and choose another that you like better. He does cover penal substitution theory and the questions it brings up. Rather than outright rejecting it, he asks what can we learn from it?

This is his overall approach to all the theories, and I find it refreshing. Looking at the prologue to the Gospel of John, where Jesus is described as the Word, the Logos, he explains how that lens can change our view:

If we begin by seeing the Crucifixion and the atonement through the lens of John’s prologue, then we can recognize that Jesus’ death is not primarily a transaction, mechanism, or formula – it is not a divine quid pro quo where one thing automatically results in another (Jesus’ death procures our forgiveness, for instance). Instead, the Crucifixion is first and foremost a Word or message from God. This Word has the power to save, to deliver, to rescue, to redeem, to forgive, to heal, to inspire, and to love. It is intended to move us, to change us, to open our eyes and our hearts, to transform us, and to heal us and the world. We might call this the Logos theory of the atonement or simply refer to the Crucifixion as God’s Word.

When we understand this, our question changes from “How does the Crucifixion work?” to “What is God seeking to say to us through the Crucifixion?” Paul notes, “The message of the cross is foolishness to those who are being destroyed. But it is the power of God for those of us who are being saved” (I Corinthians 1:18, emphasis added). It is the message of the cross – God’s Word to us through the cross – that has the power to save. Each of the various metaphors used in the New Testament, and each of the different popular atonement theories in the church, are ways the disciples, and believers ever since, have heard God speaking through the cross. Each captures a different dimension of this Word. The focus is not understanding a mechanism, but rather hearing and accepting God’s Word of redemption, forgiveness, and love.

In the chapter on the penal substitution theory, he elaborates on this:

In moving away from seeing the Crucifixion as a formula or equation, but instead as God’s message to us, Christ’s death is not something God needed in order to forgive us, but something we needed in order to understand and accept that we are forgiven. In seeing the Crucifixion as God’s Word, we see God demonstrating the pain he himself experiences as a result of human sin but also the lengths to which he is willing to go to save us from it.

At this point, let me say that I don’t like the title of this book. I’ve heard this question myself – but always from people who have been taught that the penal substitution theory of the atonement is the very definition of the gospel – and that Jesus had to die in order for God to forgive us. Implied in the question is, “If Jesus didn’t have to die for God to forgive us, then why did he have to die?”

God forgave humans long before Jesus’ death! Read Psalm 103 if you don’t believe me. The Hebrew Bible is full of statements declaring God to be compassionate and gracious and forgiving sins. So I strongly believe that Jesus did not have to die in order for God to forgive us.

Adam Hamilton does take this up in the Postscript to the book, and says he considered calling it instead, Did Jesus Have to Die?. He shows many places where it is clear that Jesus could have turned away from the cross, and that he laid down his own life rather than having it taken from him.

Jesus didn’t have to die. While his death was a result of opposition and injustice he faced, it was more than that. He believed his death would accomplish God’s purposes, purposes we have described in the previous chapters and perhaps others. For these reasons Jesus chose to submit to a horrible death. He believed that through it, he would change the world. This is captured in the words he spoke shortly before his death. “‘When I am lifted up from the earth, I will draw everyone to me.’ (He said this to show how he was going to die)” (John 12:32-33).

So Adam Hamilton does discuss several theories of the atonement – including New Covenant, Redemption, Moral Influence, and Christus Victor. But it’s important to him to look at them as metaphors rather than mechanisms.

The New Testament authors used metaphors and analogies to describe the significance of Jesus’ death. These were drawn from Scripture as well as legal, economic, relational, and battlefield images, to name just a few. But at times we confuse the metaphors for mechanisms and, instead of hearing them as analogies helping to explain the meaning of the Crucifixion, we read them literally as though they describe processes and transactions and formulas for how the cross “works.” It is the nature of metaphors and analogies that they break down when pressed too far or taken too literally.

The beauty of this book is that Adam Hamilton doesn’t try to show us which is the “correct” theory of the atonement. Instead, he guides us to see beauty and meaning in each one.

As I’ve noted, the use of these various metaphors, ten of which I’ve included in this book, is more like poetry than physics, more like art than algebra. This is why I’ve suggested that when we read the New Testament’s various “atonement theories” we’re meant to ask not, How does Jesus’ crucifixion work? but instead, What does it mean? What is it God is trying to say to us?

Added October 23, 2026: I wrote the above review before I knew that Adam Hamilton is running for United States Senate in Kansas. I think it bodes well for a lawmaker to be able to find good out of multiple atonement theories. Where I figure out “which one I agree with” – he shows us beauty in each one. I think that’s a good thing for someone who wants to represent all the people of his state.

AdamHamilton.com
AbingdonPress.com

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Review of The Fall of Iris Henley, by Jennifer Graham

The Fall of Iris Henley

by Jennifer Graham
read by Eva Kaminsky

Macmillan Audio, 2026. 8 hours, 32 minutes.
Review written October 20, 2026, from a library eaudiobook.
Starred Review

I put this audiobook on hold because it was very popular with our library customers, and it turns out that was a good tip. The Fall of Iris Henley is about a senior in high school who’s top girl on her cheer squad – the top of the pyramids and a flyer who does tricks in the air, caught by her squadmates.

But this year, their football team isn’t starting out in great form. They’ve lost a star player, Rocky, who was Iris’s boyfriend, and the cheer squad has lost the former top girl, Lynette, who had been Iris’s best friend. They were found together, dead, with the gun in Rocky’s hand. They’d been sleeping together behind Iris’s back, but nobody knew why Rocky would have killed them both.

And then an anonymous poster on their school’s private social media app comes up with a new theory – Iris did it. And that theory gains traction throughout the school. At first, her cheer team backs her up and sticks by her side, but something happens to challenge even their loyalty.

Iris was at a cheer sleepover the night in question, so she should have an alibi. Trouble is, after Rocky accidentally sent her a text that she knew was meant for some other girl, Iris got so drunk, she has no memory of the rest of the night.

The book is filled with cyberbullies and real-life bullies, constant questions for Iris about whom she can trust, and of course a conclusion filled with danger. Gripping suspense right from the beginning that feels all too realistic as cyberbullying gets way out of hand.

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Review of Blood of Tyrants, by Naomi Novik

Blood of Tyrants

by Naomi Novik
read by Simon Vance

Tantor Media, 2013. 13 hours, 48 minutes.
Review written May 4, 2026, from a library eaudiobook.

After reading a Naomi Novik book I’d somehow missed when it first came out, The Summer War, I was checking Libby for any other books by her I might have missed – and remembered that I never did finish the Temeraire series.

The reason was that I started the series listening to audiobooks on CDs, and after Book 5, the library no longer had them on CDs. At the time, I wasn’t listening to eaudiobooks, hadn’t downloaded Libby, and was skeptical of ebooks altogether. Well, the pandemic changed that by eliminating my commute for a few months. I discovered that listening to eaudiobooks on my phone could lighten not just my commute, but housework as well. I can even listen while posting reviews I’ve already written.

So I did go back and listen to the next book about Temeraire the magnificent celestial dragon – but other audiobooks that had recently come out or that I was reading for award committees got my attention first. But I listened to Blood of Tyrants, which is Book 8, and am happy to say there was no wait to check out Book 9, League of Dragons, which Libby says is the final book in the series. So I am going to finish this wonderful series at last.

The series is set in an alternate reality during the Napoleonic Wars – where dragons are very real and are used in battle something like ships were during our Napoleonic Wars, complete with crews riding in their rigging. The pattern of the books is O’Brien’s Master and Commander series, but with dragons. Our protagonist, William Lawrence, was even a naval captain before a captured dragon egg imprinted on him. After Temeraire hatched, they became a pair. Since that fateful meeting, in the books they have traveled to every continent except Antarctica. Napoleon has been much more successful than he was in our world, since, after all, he has dragons.

Naomi Novik is no longer even pretending to write standalone books. This installment begins and ends in the middle of the action. Now, I had not remembered how the last one ended, but at the start of this one, Lawrence has washed up on shore after a shipwreck somewhere in Japan – and he has lost his memory of the last eight years and everything about Temeraire.

Now, I am not a fan of amnesia in fiction. I feel like it’s a lot more rare in real life than it is in novels. That did help me with all I didn’t remember about Lawrence’s adventures as it slowly came back to him. But at the start, we’re in two plotlines, with Temeraire desperately wanting to go find Lawrence, but needing to get the ship back in sailing condition and take care of the dragon egg they were transporting. Meanwhile, Lawrence is in a Japan that was closed to foreigners, and he wants to stay alive but get home – he thinks he should get back to his ship, having completely forgotten Temeraire.

Anyway, I won’t say anything about the plot, because you should only read this book if you’ve read the seven others before it. As things continue, they progress to fighting Napoleon in Russia with the help of Chinese dragons.

I do highly recommend this whole series. Simon Vance reads all of them, and brings the world of an English naval gentleman to life. I know when Temeraire is speaking by the voice alone by now. And Naomi Novik has built an incredible world in these books. She’s literally built the whole world, as Temeraire has visited every continent (except Antarctica) and found different kinds of dragons on each one. In fact, a new area of concern in this book is that the Russians treat dragons very badly. So Lawrence and Temeraire don’t want to fight for them unless they stop abusing them – but that ends up in some feral dragons on the loose and a whole new set of problems. And winter is beginning in Russia.

This time I vow I’m not going to take as long a break before I tackle the next book, so hopefully I’ll remember better what’s going on. But I’m sure of one thing: Temeraire is going to continue to fight – both against Napoleon and for the rights of dragonkind. And he’ll continue to try to get Lawrence to wear shiny clothes.

naominovik.com

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Review of Words to My Life’s Song, by Ashley Bryan

Words to My Life’s Song

by Ashley Bryan
with photographs by Bill Meguinness

Atheneum Books for Young Readers, 2009. 58 pages.
Review written September 23, 2026, from a library book.
Starred Review

What a beautiful book!

At the library, we don’t hold onto a lot of nonfiction books that are 17 years old. They are usually out of date and getting worn. So I was surprised when someone flagged this book as something we needed more copies of – and that it was listed as Essential for library collections in the Wilson Core data base we use to check things like that. Once I decided they were right, and we probably should get more copies, I was also surprised that the book is still in print. I am familiar with some of Ashley Bryan’s books, so I decided I needed to take a look at this one, too.

In this book, Ashley Bryan tells the story of his life, and how he grew up making art. On the lefthand pages, he walks the reader through the island in Maine where he makes his home now (well, in 2009), with photographs of the beautiful surroundings. On the righthand pages, he tells about how he got his start and then progressed as an artist. Plenty of photographs for that, too.

This isn’t a strict division – the book is beautifully designed with lots of variety. Often there are full spreads of artwork, and sometimes the present and past switch sides or one takes up more space than the other.

The result is that this book is inspiring to read and gorgeous to gaze through. His work encompassed many different styles during his life, and we see the whole range in this book, as well as the story of how he started that type of art. Between the bright colors in his art and the beautiful photos of ocean and flowers on the island, this book is full of bright beauty.

The way he finishes the main text encapsulates his work:

I love encouraging children and adults to make art almost as much as I love making art myself. Teaching art began early for me. I was in my teens when the church I attended gave me the room and materials for art classes, saying, “You have a talent. Share your gifts with others.”

And I have tried to do so ever since!

Please check this book out of the library, so we won’t be tempted to discard it for lack of interest! There are some new copies waiting for you.

ashleybryancenter.org

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Review of The Witch’s Heart, by Genevieve Gornichec

The Witch’s Heart

by Genevieve Gornichec
read by Jayne Entwistle

Penguin Audio, 2021. 12 hours, 5 minutes.
Review written July 23, 2026, from a library eaudiobook.
Starred Review

I put this audiobook on hold because of how much I loved the author’s later-written book, The Weaver and the Witch Queen. This was also set in old Norway, but this time we got the old Norse myths of Asgard, as seen through the eyes of a witch who was involved in so many of the great events.

The book starts after Angrboda has been burned by the gods a third time – this time because she wouldn’t use her power to tell Odin the future, about Ragnarok. But as she’s reawakening, Loki, another from the race of giants, but blood brother to Odin, brings her back her heart.

Angrboda lives hidden from the gods. Her reinserted heart falls in love with Loki and she becomes his wife, even though he goes back to Asgard from time to time. And after one of his tricks gone wrong, the gods force him to take a wife there, or so Loki says. So he divides his time between the two families.

The book covers most of the stories of Norse mythology covered in Neil Gaiman’s book by that name, so I was prepared for their strangeness. This was a far more personal look at them, through the eyes of Angrboda, in love with Loki despite how her friend Skadi the Huntress feels that Angrboda’s husband should be around more often.

The strangeness gets even greater when Angrboda gives birth to three children of Loki who are by no means ordinary. But Angrboda loves them, and any who would dare call them monsters will have to deal with her. But then her visions of the future also show her children involved in Ragnarok.

That feels like a poor summary, because the story is immersive and evocative. Yes, it’s also strange, but we come to care about this ancient witch and root for her to outwit the gods and protect those she loves.

genevievegornichec.com

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Review of Yulu’s Linen, by Cao Wenxuan, illustrated by Suzy Lee

Yulu’s Linen

by Cao Wenxuan
translated by Helen Wang
illustrated by Suzy Lee

Atheneum Books for Young Readers, 2026. 44 pages. Originally published in South Korea in 2020.
Review written September 30, 2026, from my own copy, sent to me by the publisher.
Starred Review

My favorite thing about this picture book is the luxurious feel of its pages. Let me explain:

Yulu’s Linen is about an eight-year-old girl who has been encouraged in her love for art since she was small. Her own father wanted to be an artist, but opened a fabric shop instead. He has gotten tutors and famous artists to teach Yulu, and now she is ready to make her first self-portrait.

When they go to the art store, the shopkeeper shows them a piece of the highest-grade canvas, already cut to portrait size.

It’s yu-lu-ma – rain-dew linen,” said the shopkeeper.

It was Yulu’s turn to smile. “That’s my name.”

The shopkeeper fetched the piece of rain-dew linen.

Yulu stroked it gently. “Dad, I like this one,” she said.

The canvas was originally ordered by a master in oil painting, but he moved away before picking it up.

Yulu happily takes the canvas home. She’s a little afraid to start painting, but she spends a week painting, and her parents are so happy with it, they invite their friends and Yulu’s art teacher to come see it.

But in the night, the paint runs and the painting is a mess.

Yulu does seven more tries, trying various things. Her mother throws away the canvas at one point, but Yuli recovers it. She’s determined. Apparently the canvas doesn’t want to be the background for a beginner.

With every try, Yuli drapes one of her father’s beautiful fabrics over the painting. But the final time, she tries something different.

And through the whole book, we only see the ruined paintings – until the final page, when Yulu’s self-portrait is smiling back at us.

This is an odd story. I’m not sure it has a message except persistence. But the art is beautiful and varied – with different angles on the painting and the characters in each scene. And the paper! I couldn’t find a note on what kind of paper they used, but it feels like linen, with even a feeling of a weave on the pages. The cover, too, is made of this luxurious high-fabric-content paper. It’s the perfect accompaniment to this story. I kept running my hands along the pages, and was haunted (in a good way) by the story when I closed the book.

It’s too bad this book isn’t eligible for the Caldecott Medal, but it should be eligible for the Batchelder Award, given to translated books originally published in another country. I’d love to see it on the list in January!

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Review of Birdy, by N. West Moss

Birdy

by N. West Moss
illustrations by Carrie Shyrock

Christy Ottaviano Books (Little, Brown and Company), 2026. 282 pages.
Review written October 9, 2026, from a library book.
Starred Review

First, a great big thank you to Colby Sharp. His heartfelt recommendation was what got me to check this book out again and put it on the top of my pile of books to be read this time.

And this is a heart-warmer and an eye-mister. The story follows the tradition of classics Anne of Green Gables, Rebecca of Sunnybrook Farm, and Pollyanna but with a modern update. As the book opens, newly orphaned eleven-year-old Birdy and her little brother Mouse are going from New York City (where they’d been staying with a neighbor since their mother’s funeral) to live with an elderly couple in the country. The social worker has said this will only be for six months, on a trial basis, so of course their fate is hanging in the air the whole time.

This couple is related somehow, but Birdy (whose real name is May) doesn’t know quite how. They arrive on the day the man, who goes by Shadow, has broken his foot, and his wife Mitzi is in a flutter about it. But she welcomes the kids and they start getting to know their new environment.

Birdy is deeply shy and has learned how to not be noticed. But that strategy doesn’t work in some of the new situations she faces. And then the kids’ Uncle Clay turns up – their mother’s little brother they didn’t even know she had. He brings a pet raccoon and a goat and he’s only planning to stay a couple weeks. So Birdy is afraid to get too close.

Is there some neurodivergence going on with Birdy? Possibly. Or maybe she’s a kid who’s recently gotten through traumatic events just trying to protect her heart from more loss.

It’s all exquisitely told from Birdy’s perspective. I agree with Colby Sharp – This book has Newbery potential, and whether or not it gets recognition that way, I recommend experiencing it for yourself. These characters will win your heart.

nwestmoss.com
christyottavianobooks.com
lbyr.com

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#Sonderbooks25 – 2009 – Coming into My Own

I’ve been celebrating #Sonderbooks25 – 25 years of writing Sonderbooks – for quite some time now.

It’s my own fault. My original idea was to choose one book to reread from each year’s Sonderbooks Stand-outs. That led to revising the Stand-outs page to fit the new phone-friendly format. That led to rereading each review of the Stand-outs. That led to deciding to reread all the reviews I’d written, beginning in 2001. That led to wanting to reread a lot more than one book per year. Once I got to the years I added blogs, it also led to rereading all my Sonderquotes and Sonderjourneys posts. And I’d already been reading the Project 52 posts about the years I was writing Sonderbooks.

So – things have gotten out of hand! But the truth is, I’m having a lot of fun revisiting my old writings and wonderful books I’d recommended. I will probably stop calling it #Sonderbooks25 when I hit my 26th anniversary next August, but whether I’ve finished or not (I hope I will have!), I will probably want to keep going, because this is a treat.

So now for my report on 2009 with its fresh Sonderbooks Stand-outs page.

This time, I really did reread one of the books before I posted this – The Guernsey Literary and Potato Peel Pie Society, and it was every bit as wonderful as I’d remembered. I’ve also been rereading some of the books from earlier Stand-outs, like Enchantment, by Orson Scott Card, from 2007, and I enjoyed both of those so much – in audio form this time – that I’m tempted not to place holds for any new audiobooks and just keep rereading.

But I think the biggest treat when revisiting 2009 was remembering what I was going through. The Sonderquotes posts from that year were about letting go, forgiveness, and finding joy. Sonderjourneys posts reminded me that things were not going well with my husband. He continued to tell me I was a horrible person, and negotiations about a divorce settlement were not going well. I was slowly coming to terms with the idea that it would be okay – maybe a good thing – to file for divorce myself.

And at the same time, I was indeed coming into my own! 2009 was my first full year working as a full-fledged librarian, and I was loving it. 2009 was when I discovered other kidlit blogs and did my first 48-Hour Book Challenge and attended my first KidLitCon. Also, my obsession with the Newbery Medal had started, and I took an online class about it. I applied to attend the Morris seminar and to be a CYBILS judge and did not get either one, but did not give up. I was completely loving having found my calling as a librarian.

At the same time, budget cuts were looming – but they didn’t hit my job until 2010. I hadn’t realized until I reread these blogs that this was the year my father had his first heart attack and my mother got her first dementia diagnosis (at only 68 years old). (They passed away within two months of each other ten years later, my father from a heart attack, my mother from Alzheimer’s.)

But most of the posts are about learning to live on my own as a single mom (with one kid at home in 9th grade) and as a librarian. My sense looking back is that life had opened up and I was thriving.

And my goodness, I read some wonderful books! As I read the reviews I jotted down way too many that I’d like to reread. Instead of listing them all out, let me encourage you to take a look at the list of 2009 Sonderbooks Stand-outs. Read some reviews and see what calls out to you! It turns out that for the most part, good books are still good books.

Happy Reading!